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The Ghost Crib

RRP $17.99

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The Ghost Crib is a one-act drama with some super-natural twists and turns requiring some deft and creative input from the technical departments, making this a visually electrifying production.
Set in the 1800s in Yorkshire, a farmer and his wife have kept a secret for eighteen years. Their fifteen year old daughter is haunted by nightmares and they fear she is possessed. Only the girl can hear the plaintive cry of a baby. Old Martha Hopkins, the wise woman of the village believes something is about to happen of great importance.
In to this comes a young man bearing his own scars - both physical and emotional. Is he whom he claims to be or is he a ghost from the past? A further twist reveals a highwayman knows something of this dark secret and means to turn it to his advantage but in the end a greater power wins.
This chilling, haunting, powerful drama for a cast of six ( 3 male and 3 female) will captivate an audience and hold them in its spell.
Playwright Bev Clark works in many genres but the dark-side is possibly her favourite. Her play The Black Eyes - a spooky teen horror won the roister doister play for young people 2015 and is available on Amazon as well. Other titles are also available on Amazon or at www.scripts4stage.com Follow on twitter@scripts4stage or for more information email info@scripts4stage.com


A Baby For The Boss

RRP $17.99

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A Baby for the Boss Is his one-time fling and current employee, Jenny Marshall, guilty of corporate espionage? Billionaire boss Mike Ryan believes so, but he'll need to re-evaluate everything when he learns that Jenny is also carrying his child...Pregnant by the Rival CEO Anna Langford won't back down, even if it means working with Jacob Lin, the man she could never forget. But what starts as business turns into romance - until Anna learns of Jacob's ruthless motives and her unplanned pregnancy!


Responding To A Puzzled Scribe

RRP $273.99

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In part one of this book Joshua L. Harper is able to demonstrate the following aspects of the Barberini version: when compared with the other Greek versions, it appears that the Barberini version was originally independent of the Septuagint but has been influenced by it in transmission. The Barberini version was probably translated no earlier than the later books of the Septuagint (that is, around the first century BC), and no later than the mid-third century AD. The style, methods of translation, and exegetical affinities suggest that the translator was primarily concerned with producing stylistic, understandable Greek rather than with conforming closely to the Hebrew source text. The translator was probably Jewish, particularly since some readings resonate with Jewish exegetical traditions. The relatively polished Greek suggests that the translator had received some formal Greek education, perhaps in a Hellenistic Jewish community.

In the second part of this work Harper provides text, translation, and notes for the major Greek versions. The Barberini version has been analysed in particular detail, with regard to lexical and syntactical translation technique, as well as matters of style.



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